THE PROBLEM

You assembled a rough cut in Wideframe, selects pulled, structure roughed in, timing close enough to show someone. Now you need to open it in Premiere Pro for the real edit: color correction, audio mixing, transitions, titling. The standard path is XML export.

XML roundtrips between tools are notorious. Clips come in at the wrong timecode. Nested sequences flatten. Audio track assignments shuffle. You spend the first hour of your Premiere session relinking media, rebuilding nested structures, and fixing timeline drift instead of actually editing.

The rough cut did its job. It got you from 20 hours of footage to a working structure. The handoff to Premiere shouldn't undo that work.

WITHOUT WIDEFRAME

1–2 hours of XML export, conform, and relinking

WITH WIDEFRAME

Open the .prproj directly, everything linked

90% TIME SAVED

HOW YOU SOLVE IT WITH WIDEFRAME

01

Finish your rough cut in Wideframe

Assemble your edit using Wideframe's AI tools, pull selects, structure scenes, get timing close. Work fast without worrying about the export path.

02

Export as a native .prproj file

Instead of going through XML, export directly to Premiere Pro's native project format. Clip references, track assignments, and sequence structure carry over as-is.

03

Open in Premiere and start fine-tuning

Open the .prproj file in Premiere Pro. Your media is linked, your tracks are where you put them, and your sequence structure is intact. Start color, audio, and finishing work.

TRY IT

Export your next rough cut as a native .prproj

Wideframe gives you an AI agent that handles the mechanical work of video editing so you can focus on the creative decisions.